4 edition of apostrophic moment in nineteenth and twentieth century German lyric poetry found in the catalog.
Bibliography: p. -218.
|Other titles||Apostrophic moment in 19th and 20th century German lyric poetry.|
|Series||American university studies. Series I, Germanic languages and literature,, vol. 67, American university studies., vol. 67.|
|LC Classifications||PT547 .W34 1988|
|The Physical Object|
|Pagination||218 p. ;|
|Number of Pages||218|
|LC Control Number||88009714|
Ezra Pound is widely considered one of the most influential poets of the 20th century; his contributions to modernist poetry were enormous. He was an early champion of a number of avant-garde and modernist poets; developed important channels of intellectual and aesthetic exchange between the United States and Europe; and contributed to important literary movements such as Imagism and Vorticism. In the years between the beginning of the twentieth century and the end of World War II, American poetry was transformed, producing a body of work whose influence was felt throughout the world. Now for the first time the landmark two-volume Library of America anthology of twentieth-century poetry through the post-War years restores that era in.
Charlotte Perkins Gilman, a feminist writer of the late 19th and early 20th century, was concerned about social justice of many kinds. In "To the Indifferent Women" she denounced as incomplete the kind of feminism that ignored women in poverty, denounced peace-seeking that sought good for one's own family while others suffered. Get this from a library! Twentieth-century German poetry: an anthology. [Michael Hofmann;] -- "This groundbreaking anthology will serve as the standard for years to come. Michael Hofmann has assembled brilliant translations of the major German poets of the last century, from Rilke and Brecht.
Find out more about the greatest 19th Century American Poets, including Edgar Allan Poe, Aldous Huxley, Henry David Thoreau, Ralph Waldo Emerson and Robert Frost. Famous 19th Century American Poets. Edgar Allan Poe. 19 January Writer. Henry David Thoreau. 12 July In 20th-century fantasy literature, from nature and condemned urbanized and industrial life of the 19th century as spiritually and ethically sterile. William Blake went so far as to dub modern textile factories the "satanic mill." LYRIC POETRY: See discussion under lyric and lyric moment. LYRICS: (1) The.
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Genre/Form: Criticism, interpretation, etc: Additional Physical Format: Online version: Walter, Hugo, Apostrophic moment in nineteenth and twentieth century German lyric poetry.
This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem.
The Apostrophic Moment in 19th and 20th Century German Lyric Poetry (American University Studies) Sep 1, by Hugo Walter Hardcover. In Europe, the lyric emerged as the principal poetic form of the 19th century and came to be seen as synonymous with poetry.
Romantic lyric poetry consisted of first-person accounts of the thoughts and feelings of a specific moment; the feelings were extreme but personal. The traditional sonnet was revived in Britain, with William Wordsworth writing more sonnets than any other British poet.
German literature - German literature - The 20th century: German Modernism emerged from turn-of-the-century Aestheticism. Like European Modernism as a whole, German Modernism was in fact a cluster of different literary movements, including Expressionism, Neue Sachlichkeit (“New Objectivity”), and Dada.
Of these, Expressionism is the best known and most important. Pages in category "19th-century German poets" The following 88 pages are in this category, out of 88 total. This list may not reflect recent changes ().
German literature - German literature - The 19th century: The early years of German Romanticism have been aptly termed the theoretical phase of a movement whose origin can be traced back to the Sturm und Drang era and, beyond Germany itself, to the French philosopher and writer Jean-Jacques Rousseau.
An interest in individual liberty and in nature as a source of poetic inspiration is a common. While poetry may not be your favorite genre, take a moment to learn about these authors.
You may be pleasantly surprised. Joyce Kilmer. When most of us think of the Catholic literary giants of the last century, we think of Englishmen like J.R.R. Tolkien, G.K. Chesterton, or Hilaire Belloc. Of Poetry and Song: Approaches to the Nineteenth-Century Lied is an anthology of truly interdisciplinary studies of text-music relations in the German Lied.
The chapters gathered in it (including some published here for the first time in English or indeed at all) were written by two musicologists -- Rufus Hallmark and Jürgen Thym -- and two. Hesperus Press are just about to publish Will Stone’s eminently readable and wonderfully grounded translation of a contemporary account of Friedrich Holderlin’s madness.
This is a long essay by Wilhelm Waiblinger, written in Rome during the winter of /8. It’s an astonishing and very moving document for those interested in German Romantic and Modern poetry or in early accounts of. In poetry, an apostrophe is a figure of speech in which the poet addresses an absent person, an abstract idea, or a ophes are found throughout poetry, but they’re less common since the early 20th century.
Poets may apostrophize a beloved, the Muse, God, love, time, or any other entity that can’t respond in reality. This article focuses on poetry from the United Kingdom written in the English article does not cover poetry from other countries where the English language is spoken, including Southern Ireland after December The earliest surviving English poetry, written in Anglo-Saxon, the direct predecessor of modern English, may have been composed as early as the 7th century.
Their poetry focused on verbal pictures and moments of revealed truth, rather than a structure of consecutive events or thoughts and was expressed in free verse rather than rhyme.
Spring and All, Williams’s first book of poems in this modern style, greatly influenced poetry in the rest of the twentieth century and beyond.
The last century saw an influx of poets who penned in varying genres from narrative poetry to epic ones, dramatic, satirical light, lyrical, elegies, verse, prose style and even speculative poetry.
This section has a list of famous poets from the 19th century who have left a lasting imprint on the world of literature with their verse and rhyme. nineteenth century was now gone, such grey eminences as Ralph Waldo Emerson, Henry Wadsworth Longfellow, and James Russell Lowell having passed away in the pr eceeding decade.
Yet if the major American poets of the nineteenth century had departed, the ﬁrst important generation of twentieth-century poets was still far from its maturity. Edwin. In Europe the lyric emerged as the principal poetic form of the 19th century, and came to be seen as synonymous with poetry itself.
Romantic lyric poetry consists of first-person accounts of the thoughts and feelings of a specific moment; feelings are extreme and usually intensely personal. Movements through history.
Throughout history, there have been hundreds of major and minor poetic movements and communities. Major community-based movements – such as the Ancient Greek poetry schools, Provencal literature, Sicilian court poets, Elizabethan and Romantic poets, American Transcendentalists, Paris expatriate (Surrealist), and Beat poets – changed the course of poetry.
So 19th century poetry is clearly superior because back then they drank real water. Of course that’s ludicrous, but if it gets me to the same conclusion, hey, I’m down with it.
April 22nd, American poetry of roughly the first half of the twentieth century is remarkable in its richness, inventiveness, and diversity.
The variety of poetry written and published in the United States in the last century represents a great period that was marked by an explosion of literary creativity. Its range of forms, styles, and preoccupations are in a fundamental sense uncontainable. At last in a deluxe collector’s edition boxed set, the most complete and authoritative anthology of 19th century American poetry ever published From the lyrics of Walt Whitman and Emily Dickinson to folk ballads and moving spirituals, one of our nation’s greatest cultural legacies is the distinctly American poetry that arose during the.
In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song.
Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century. Novalis's Hymns to the Night were published in Prussia inwhen the poet-philosopher was 28; the moment of German romanticism is central to May's argument because he believes the cult of love.Poet Christina Rossetti was born inthe youngest child in an extraordinarily gifted family.
Her father, the Italian poet and political exile Gabriele Rossetti, immigrated to England in and established a career as a Dante scholar and teacher of Italian in London.
He married the half-English, half-Italian Frances Polidori inand they had four children in quick succession: Maria.